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AFTER DARK/SUMMER 2026

Thu, Jun 18, 2026 07:00PM EDT
  2026-06-18 19:00:00 2026-06-18 19:00:00 America/New_York Vallots Auctioneers Vallots Auctioneers : AFTER DARK/SUMMER 2026 https://auction.vallots.com/auctions/vallot-auctioneers/after-dark-summer-2026-23057
Our AFTER DARK/SUMMER auction features fine art that celebrates the beauty of the male form across a variety of genres and mediums, from late 19th-Century depictions of affectionate men, to daring new approaches to gender and sexuality in contemporary art. Our latest catalog showcases exceptional works from gay trailblazers such as Paul Cadmus, Wilhelm von Gloeden, René Bolliger, Sam Steward, and many more.
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Lot 25

Michael Kirwan (American, 1953-2018)

Estimate: $300 - $500
Starting Bid
$100

Bid Increments

Price Bid Increment
$0 $10
$100 $25
$500 $50
$1,000 $100
$2,500 $250
$5,000 $500
$10,000 $1,000
$25,000 $2,500
$50,000 $5,000
$100,000 $10,000

Spit Shine, 2002.

Watercolor marker and ink on paper.

Signed and dated on the bottom right, "Michael Kirwan MMII (2002)".

12 1/2 x 17 in (31.8 x 43.2 cm).

 

Literature (Illustrated):

Saslow, James M., Allen Ellenzweig, and Leslie-Lohman Gay Art Foundation. Treasures of Gay Art from the Leslie/Lohman Gay Art Foundation, edited by Peter Weiermair. New York: All Saints Press, 2008. p. 156, illustrated.

 

Notes: 

From the 1980s through the mid-2000s, Michael Kirwan became one of the most widely circulated erotic illustrators of his generation and his work appeared in more than 700 magazines. His illustrations first appeared in Playguy in 1980 and later featured prominently in other major gay publications including Stroke, Freshmen, Torso, Mandate, Inches, Cavalier, Honcho, Nugget, and Drummer.

 

In his rendering of the male body, Kirwan distinguished himself from many of his contemporaries through a reduced emphasis on idealized hypermasculine archetypes. Rather than focusing exclusively on heavily muscular and sexualized figures, he represented a broad range of body types, ages, ethnicities, physical abilities, and socio-economic backgrounds. Kirwan deliberately chose to present everyday men in erotic situations which permitted his viewership to better relate to the characters that he created and to “recognize familiar situations and see a spark of their own lives displayed” in his work. [1]

 

Kirwan often approached erotic illustration through storytelling and situational narratives rather than isolated idealized figures. Brought to life through fine watercolor pens and Prismacolor markers, his scenes unfolded in public parks, bathhouses, locker rooms, and the back seats of cars.

 

[1] Michael Kirwan, “The Artist Muses”, Tom of Finland Foundation Dispatch (Winter 2002)

https://www.worldoftomoffinland.com/foundation/Dispatch/Dispatch2002Nov/Kirwan.htm

 

Condition

Nothing adverse to note.

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